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galleries of photos

The photographs in these galleries reflect an ethnographic gaze, shaped by curiosity, restlessness and boldness.

the other

A constant negotiation between curiosity and intrusion, fascination and understanding, as I move through the world in perpetual Ethnomotion.

travels

Every journey begins long before departure. On the road, we face a constant tension between curiosity and respect, observation and intrusion. To travel is to cross boundaries. The challenge is knowing which ones should remain uncrossed.

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places

I travel to experience villages, cities, regions, and countries with different climates, landscapes, cultures, and people – even if sometimes merely passing through – to encounter the other and, in doing so, reshape my own identity by embracing difference. Every journey involves exchange, adaptation, learning, and growth, despite inherited assumptions and bias. As beauty and pleasure coexist with discomfort and estrangement, respect, tolerance, and humility become essential companions along the way.

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experiences

Ethnomotion is an experience-centred approach to travel. My photographs have value beyond the aesthetic or the hedonistic. They are the result of a commitment to experiencing the new, the different, and the other. They reflect an exercise in tolerance, self-questioning, openness to learning, respect, acceptance, adaptation, and recognition. As I took them, I changed. They have become part of my life, my thoughts, and the way I see the world.

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I enjoy cooking, sharing meals with family and friends, and discovering new flavours. I value a simple peasant dish as much as a refined French dinner in Paris. I love street markets, chopping coriander, and eating a good thali with my hands in southern India. But, as Bourdain used to say, I am always hungry for more. My interest in food goes beyond aesthetic, hedonistic, or sensory pleasure, and even beyond its role in sustaining life. It lies mainly in its cultural and social dimensions. Travel, working as a cook in different countries, and academic study exposed me to diverse food cultures and the many roles food plays in people's lives. I came to realise that the more a meal reflects a genuine social and cultural experience, the richer it becomes. I also learned to respect the labour behind food preparation, whether in professional or domestic kitchens. Allowing my curiosity, work, senses, and intellect to roam freely, I eventually encountered the notion of foodscape—the idea that food is never just what is on the plate, but also the people, places, histories, and relationships that give it meaning.

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